Tuesday, September 24, 2013

Changes to Changez: The Reluctant Fundamentalist


After reading The Reluctant Fundamentalist, and then reading the film, the biggest contrast I see in character’s relationships is the one between Changez and Bobby—formerly known as the “American Stranger.” One of the key elements we discussed while close reading the book was the importance of the stranger. We never knew his back-story: he wasn’t even given a name. The stranger was anonymous so that we could picture being in his shoes. There was always an air of uncertainty when it came to his motive.
            Now, I know that in the world of film, having the name of just one real character may bore the audience. However, it has worked before with adaptations of books, such as the book (and now movie), Buried. The entire book takes place inside a coffin. He has memories, that include the names of people, but you only see from his point of view. Very similar to how we only saw from Changez’s point of view in the novel. We are introduced to Bobby early in the film when he gets a phone call, presumably from the people in the scene beforehand. The call led up to a meeting with Changez, however in the book the man who Bobby portrays ends up having a meal with Changez only by chance—or so we are lead to believe. The Stranger has no reason to tape what Changez is saying, it’s just friendly conversation. However, Bobby needs to hear his every word. With this in mind, Changez could have cut things out of his story. It’s no longer immediately a friendly vibe like in the novel, but more of a nervous one.
            Bobby also has power in his hands, while in the book Changez was more dominant. Changez was comfortable in his own country, helping out this man foreign man. He kept calm, and tried to keep the Stranger at ease throughout the meal. However, in the film, the stranger talks back to Changez. He has control over what is happening to Changez’s family, and the safety of his students. Changez on the other hand has obvious henchmen in the film. They work hard to make Bobby feel uncomfortable, any chance they can. It’s like watching a duel the entire time; who’s going to shoot first.
            Is there a misconception of the American director’s interpretation of the film? That’s a big issue. In the book the entire time you are humanizing Changez. He might look the part of a terrorist, but you’re learning that he lived the American dream. He was at the top of an American firm, making bank—if I may—and scoring the girl of his dreams. He is an innocent man, who walks up to a lost American and tries to comfort him, because he too is a lover of America. Here, however in this “appointment” with Bobby, Changez defensively tells him, once the phone starts recording, that he is a lover of America. The movie’s audience gets the idea that Changez may be involved in some sketchy stuff; after all the first thing we see is this man getting kidnapped by men in beards, and suddenly it turns into his problem. Who do we trust? That issue came out only towards the end of book, because Changez was walking the stranger home in the dark—a gesture friendly enough, but too friendly perhaps. But again, right off the bat, we are unsure what this foreign man is involved with.
            The concept of the “American Stranger” was completely lost in the film. I’ve said it once, and I just said it again. The tone set between the two at the cafĂ© was completely different than it was in the book. Sure, the reminiscing followed the same basic plot line, but the outside world, which was normally just Changez reassuring the stranger, or trying to grab his attention, was suddenly way too intense. It was not as easy to watch, as it was to sit back and read. 

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